James Hynes
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English
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Description
Kevin Quinn is a standard-variety American male: middle-aged, liberal-leaning, self-centered, emotionally damaged, generally determined to avoid both pain and responsibility. As his relationship with his girlfriend approaches a turning point, and his career seems increasingly pointless, he decides to secretly fly to a job interview in Austin, Texas. Aboard the plane, Kevin is simultaneously attracted to the young woman in the seat next to him and...
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Told from the perspective of an enslaved boy being raised in a Roman brothel, a stunning literary historical novel of identity, family, suffering, and freedom
In a brothel on the Spanish coast during the waning years of the Roman Empire, a young enslaved boy of unknown parentage is growing up. His world is a kitchen, then an herb-scented garden, followed by a loud and dangerous tavern, and finally, the mysterious upstairs where the "wolves" do...
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English
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Paul Trilby is having a bad day. If he were to be honest with himself, Paul Trilby would have to admit that he's having a bad life. His wife left him. Three subsequent girlfriends left him. He's fallen from a top-notch university teaching job, to a textbook publisher, to, eventually, working as a temp writer for the General Services department of the Texas Department of General Services. And, even here, in this world of carpeted partitions and cheap...
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English
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Combining the wit of David Lodge with Poe's delicious sense of the macabre, these are three witty, spooky novellas of satire set in academia-a world where Derrida rules, love is a "complicated ideological position," and poetic justice is served with an ideological twist.
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English
Description
X Flight was designated the task of giving close air support to the desert army formed and commanded by Lawrence of Arabia. It flew from advanced desert landing grounds on reconnaissance, liaison, bombing and ground attack missions. The existence and deeds of the flight were kept secret, so much so that even the RFC Paymaster was unaware of their existence.George Hynes was an aircraft mechanic and became responsible for keeping the flights somewhat
...Author
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English
Description
Nelson Humbolt is a visiting adjunct English lecturer at prestigious Midwest University, until he is unceremoniously fired one autumn morning. Minutes after the axe falls, his right index finger is severed in a freak accident. Doctors manage to reattach the finger, but when the bandages come off, Nelson realizes that he has acquired a strange power-he can force his will onto others with a touch of his finger. And so, he obtains an extension on the...
Author
Series
Great Courses volume 19
Language
English
Description
Every narrative has a tempo. Some stories are short, while others are long. Some move at breakneck speed, while others linger over every detail. Discover how to strike the right balance between length and time (the pacing), between length and detail (the density), and between scene and summary.
Author
Series
Great Courses volume 7
Language
English
Description
Shift your attention from building characters to figuring out what they should say. This lecture provides an overview of the nuts and bolts of dialogue, from the rules of punctuation to the way writers use dialogue tags to add clarity to a conversation. See how what a character says can create meaning and evoke mood.
9) Writing Great Fiction: Storytelling Tips and Techniques: Seeing through Other Eyes - Point Of View
Author
Series
Great Courses volume 15
Language
English
Description
What happens in a story depends in large part on who tells it. The three-lecture unit on point of view begins with a quick tour of the major points of view, from the third-person omniscient to the subjective first person. You'll also see how point of view is linked to time. As it turns out, when a story is told matters just as much as who tells it.
Author
Series
Great Courses volume 13
Language
English
Description
Revisit beginnings. How do you get started with a story? In this lecture, Professor Hynes shifts from the techniques of plotting to offer several clear strategies for putting these techniques into action. He also provides invaluable advice about making choices on the page - and understanding the implications of those choices.
Author
Series
Great Courses volume 22
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English
Description
Revision is a necessary step in most writing projects. Take a case-study approach to see what techniques authors use to revise their stories. To show you the ropes, Professor Hynes walks you through his own process. Although revision can be difficult, you'll come away from this lecture confident in your abilities to get your story where it needs to be.
12) Writing Great Fiction: Storytelling Tips and Techniques: He, She, It - Third-Person Point Of View
Author
Series
Great Courses volume 17
Language
English
Description
While first-person narration is an effective way to tell a story, third-person narration offers a wonderful range and flexibility, and allows you to dive just as deeply into your characters' heads - if not more deeply - than the first-person perspective. Survey the spectrum of third-person voices, from the objective and external to the interior stream of consciousness.
Author
Series
Great Courses volume 20
Language
English
Description
A good scene serves two functions: it advances the larger narrative, and it's interesting in its own right. How do you build compelling scenes? How do you transition from one scene to the next? Learn the fine art of moving from point to point in your narrative so that your story remains smooth and compelling.
Author
Series
Great Courses volume 11
Language
English
Description
Now that you've learned the basic elements of storytelling, it's time to go beyond the fundamentals and explore several smaller-scale techniques that can make your plot more subtle and satisfying. Your study includes the elements of suspense, flash-forwards, flashbacks, and foreshadowing.
Author
Series
Great Courses volume 21
Language
English
Description
So far, this course has focused on the individual elements of good fiction. Now that you have a complete toolkit of writing techniques, how do you put it all together to create a whole story? Professor Hynes discusses the process of writing an entire draft, and offers some words of wisdom to help you maintain momentum.
16) Writing Great Fiction: Storytelling Tips and Techniques: I, Me, Mine - First-Person Point Of View
Author
Series
Great Courses volume 16
Language
English
Description
First-person narration can be one of the most natural ways to tell a story - but there are several important guidelines to keep in mind. Professor Hynes helps you navigate the different types of first-person storytellers, including the double consciousness, the unreliable narrator, and the retrospective narrator.
Author
Series
Great Courses volume 23
Language
English
Description
Write what you know is a common dictum, but what happens when you run up against the limits of your knowledge? What if you want to write a story about something other than your own life? What real-life details do you have an obligation to get right? Find out how fiction writers approach the unknown.
Author
Series
Great Courses volume 8
Language
English
Description
Turn from the mechanics of dialogue to discover how it can be used to evoke character or advance the story. After surveying how dialect is a powerful tool, if used carefully, Professor Hynes shows you how writers smoothly weave exposition into dialogue, and he considers the significance of what is not said in an exchange.
Author
Series
Great Courses volume 14
Language
English
Description
Starting a narrative may be daunting, but ending one can be just as tricky. After discussing some famous examples of bad endings, Professor Hynes gives you tips for creating believable, satisfying endings, whether this means finding an answer to the story's opening gambit, or tracing a narrative to its logical end.
20) Writing Great Fiction: Storytelling Tips and Techniques: How Characters Are Different From People
Author
Series
Great Courses volume 3
Language
English
Description
Characters are illusions, and the illusion often hinges on how much access a writer gives us to a character's thoughts. Begin this unit on character with an examination of how writers choose which moments in a character's life to dramatize, and then consider how knowledge of a character's thoughts affects the story.